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Showboat: The Life of Kobe Bryant
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Audible Audiobook
Listening Length: 21 hours and 59 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Hachette Audio
Audible.com Release Date: October 25, 2016
Whispersync for Voice: Ready
Language: English, English
ASIN: B01M0GST5W
Amazon Best Sellers Rank:
Add supreme self-confidence to the above formula and you have the making of a superstar, as this biography so clearly delineates. An NBA veteran father, a domineering mother, some childhood years in Italy, high school back in Pennsylvania, Shaq, Phil Jackson, sexual assault charges, and Kobe's often polarizing competitiveness, are among the topics dealt with in depth. Sharper editing would have improved the book, for there are imprecise references scattered about (who's "he" ?) and repetitiveness that even includes a few whole sentences reoccurring word-for-word. Nonetheless, Lazenby now has three rather definitive sports bios under his belt, for Kobe, Jerry West, and Michael Jordan, with the latter probably the best one.
Kobe Bean Bryant’s story was captivating, personal, and full of life lessons. The author did much research capturing all angles of Bryant’s career and personal journey.As a Kobe fan through and through, I greatly appreciated learning more about his approach to his work, life, and career. Sometimes seen as extreme, Kobe’s style of competition and decision making made him exactly who he was—the Black Mamba!I highly recommend reading this book. No one could have willed themselves to achieve what Kobe did during his life.
This is the best write about Kobe I've come across. He's my favorite player of all-time and I consider myself a walking Kobe encyclopedia, this book covers more about his life/career than anything out currently. The first 100 pages or so talk about his family growing up and a lot of details about his dad Jelly Bean I hadn't known before. Highly recommend.
EVERY SINGLE WORD IN THE BOOK WAS FANTASTIC!...
The popularity of the Kern-Hammerstein musical, academia's refusal to include the work in the "canon" of regularly-taught American novels, the popular assumptions about the novel's datedness, sentimentality and racial stereotypes--these are some of the factors that have contributed to the comparative neglect of one of the most original, engaging narratives by an American novelist.The so-called "modernist" tradition is one that casts suspicion upon any narrative that might be termed "melodramatic" in its plotting, tone and style. It's true that Ferber plays out the emotions of her characters, but she's equally adept at keeping those emotions in play. Her voice is so vital and strong, her narrative so multilayered in its social-psychological-cultural-archetypal meanings, that an open-minded reader cannot fail to become swept up in the force of her storytelling. Moreover, in her characterization of Magnolia, who defends her unstable marriage against her daughter's staid one and who prefers the tenderloin districts to the churches and parks of Chicago, Ferber reveals the subversiveness of a true artist, making the reader question common assumptions about the dual gods of "success" and "progress."The river and the theater are not only Ferber's favorite settings but her metaphors for exploring the life of consciousness and explaining the forces that shape personality. Even when Gaylord and Magnolia abandon the river and take up residence in Chicago, the river lives in them, exposing by its constantly-felt presence what is alive and dead, what is enduring and transitory. Magnolia's daughter and her husband, the "new" American theater of New York, the "reformed" Chicago--all these are condemned less in the surface narrative than in the energy Ferber brings to the subjects that are closer to her heart: characters and places whose life traces its wellsprings to the river.This is melodrama ("music drama') in the best sense of the word--Ferber's prose evoking the musical elements that invest the narrative with fullness and necessity. The African-American spirituals and folk songs that provide Magnolia's education in turn inform the reader of her values and understandings through the course of her life's journey. Moreover, the narrative's movement matches the river's: it creates unexpected channels, moving forward in time, then backward, a device that enables the narrative to provide a perspective on the past as something familiar, as a place we already know and treasure, a "spot of time" we've been missing and to which we wish to return.But the melodrama also works here because Ferber constantly blurs the line between theater and life, letting us in on the "backstage" action that goes into playing a role and preparing a face. Magnolia blossoms only when she is on the stage, and Gaylord is never closer to authenticity than when he becomes an actor long enough to woo and marry Magnolia. Because Ferber presents her characters as deliberately assuming melodramatic parts, we don't see them as stereotypes as much as fellow beings taking on the roles required of us all to deal with life's changes as symbolized by the river.The musical version has a happy ending, with no deaths, no permanent damage. The sentiments in Ferber's original, on the other hand, are at once higher and deeper--equal parts elegy, stoicism, endurance, resolve. Ferber's last sentence describing Magnolia is a replication of an earlier sentence describing her mother: "The river, the show boat, the straight silent figure were lost to view." By this time Ferber's words have become such an integral part of the reader's consciousness that there's little chance any of these three images will be lost to view.
Amazing, in depth book that takes you into the competitive psyche of Kobe.
Very detailed. Much like the author’s book on Jordan, it goes from Kobe’s roots all the way up to retirement.
Terriifc historic storytelling. Thanks!
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