Download PDF , by Lisa Shea
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, by Lisa Shea
Download PDF , by Lisa Shea
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Product details
File Size: 1165 KB
Print Length: 68 pages
Simultaneous Device Usage: Unlimited
Publication Date: June 18, 2017
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B072W5ZJKZ
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Amazon Best Sellers Rank:
#147,037 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Good for what it is - an extremely basic look at monoprinting with a Gelli Plate. If you have ever done any Gelli printing, or even any printing at all, you will need a more sophisticated book. That said if you have NO idea of what you might be getting into and are curious then spend the 99 cents and get this. you'll know from the first read whether you want to explore further. Then I would recommend Gelli Plate Printing by Joan Bess.
Way too basic even for the 99 cent download.
Gave me info that was very useful
The level of ignorance of printmaking techniques represented by the Kindle preview is astounding. The last paragraph in that preview:"Another common style of monoprint is the copper etching. An artisan starts with a copper sheet. They engrave a design into that sheet. The sheet is layered with paint, paper is pressed onto it, and not the paper has that design."A monoprint is not a copper etching is not an engraving. Hand pressure, which can work for some forms of monoprint and for monotype, cannot adequately pull ink from the recesses of an intaglio-inked plate (which is how etching and engraving plates are inked). These printmaking techniques require an etching press, which can apply pressure of 2500 pounds or more, per linear inch, from a steel roller to the plate and substrate resting on a very solid (usually also steel) bed.Neither is a Japanese woodblock print (mentioned in the section immediately preceding the quoted passage above) commonly a monoprint--especially not the classic prints, such as Hokusai's Wave image, shown in the book--since they were created in an edition. There's nothing "mono" about them.Based on these fundamental errors, I'd say give this book a distant pass-by. The author is either terribly poorly informed, or is a poor writer.
The author gives a very clear intro to making monotype prints for beginners and emphasizes the 'fun' part of the process.She clearly states that this is meant for absolute beginners using easily obtained equipment. I used the recipe for making my own gelli plate and had great fun making abstract artwork
Learned a lot from this book
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