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File Size: 1032 KB

Print Length: 448 pages

Publisher: Wiley; 1 edition (November 16, 2018)

Publication Date: November 16, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07KRV39C4

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#50,491 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Great. I usually do my taxes. This book showed me how to deduct items that I didn't realize and can deduct over $3000 I didn't know. By doing this I am able to itemize my tax deductions and save more than taking the $24000 and run. The only time I had a tax man was the I was in the photo business and new to it (tax wise) and when my wife and I had some several businesses including a rental. After two or three years of tax experts, with this book and one regarding business I did my own with Turbo Tax and this book.

Well, been doing my income tax for 40 years, believing I learned a lot from my Dad who was a CPA and also worked for IRS. This book pointed out to me I should have been more connected with my pop, because I missed out on some standard deductions that come and go each year. I not only recommend this book, but the other JK Laser books every year especially to those not working as a CPA or for IRS. I should be embarrassed, but no, I learned another lesson of life at the age of 60, we can never learn everything, or know everything, and research is the name of the game.

As good as usual, but is only a pocket size version instead of the normal 10 X 12". This makes it hard to see & should have been clearly noted!

Just what I need for Tax season. This publication is excellent for looking up questionable tax law.

Clear, concise and information well organized for easy reference!

I bought this for a couple who has never done their taxes before because they lived in a foreign country. I think it is exactly what they need.

This book can give you some good information related to the title if you have questions related to that aspect of tax preparation and are trying to do it yourself.

Excellent book. Easy to read. Has already helped me ensure my taxes are accurate

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Download PDF Pianists Guide to Standard Teaching and Performance Literature

Download PDF Pianists Guide to Standard Teaching and Performance Literature

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Pianists Guide to Standard Teaching and Performance Literature

Pianists Guide to Standard Teaching and Performance Literature


Pianists Guide to Standard Teaching and Performance Literature


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Pianists Guide to Standard Teaching and Performance Literature

Product details

Paperback: 584 pages

Publisher: Alfred Music (March 1, 1995)

Language: English

ISBN-10: 0882846558

ISBN-13: 978-0882846552

Product Dimensions:

6.2 x 1.8 x 9.2 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

46 customer reviews

Amazon Best Sellers Rank:

#73,292 in Books (See Top 100 in Books)

I guess I'm glad to have it, but I was hoping for something a bit better.It deliberately limits itself to things the author believes no harder than the Bach Three-Part Inventions or Beethoven Op 49. It also largely avoids transcriptions. The text tends to be about as succinct as that in Hinson, and thus just as frustrating: a little more detail, even if opinionated, often would be welcome. It also mostly limits itself to things in print at the time of its publication over twenty years ago. With the rise of the web and IMSLP this is an unfortunate limitation for things published in past centuries; and, of course, it necessarily omits the wonderful resources now published electronically directly by composers.On the good side, I think there is a serious, and welcome, effort to include some pretty obscure things, particularly relatively easy ones. I'm pretty sure there are things in here I've not seen cited elsewhere. And it shows considerable respect to some valuable, easy pieces that aren’t profound enough to get much play in most other reference works. Again, it is over twenty years old, though, so nothing really recent, nor reflecting recent revisions of taste, are included.It does have an oddly hit or miss quality in some cases. For example, only a few of the Mompou Cancion e Danza and Impressiones Intimas are mentioned, though I’m pretty sure many of those neglected are still in the difficulty range covered.As a physical object it is substandard: it is feebly bound and pages were coming out within an hour of my first opening it. This is particular frustrating in a reference work.On balance, I guess I’d categorize it as a good start, but it could benefit tremendously from a thorough revision and updating. Though perhaps in this day and age such a revision would be better as a living on-line resource rather than as a static book.

I’ve had a couple of copies of this book over the past decade. The first time it was required reading for a pedagogy class so I bought it. However I didn’t find myself using it, and re-sold it on Amazon.Years later, a couple of colleagues highly recommended it so I thought perhaps I’d missed something so I gave it another shot.This book is useless unless the wide variety of your students have mastered all known standard repertoire and you are looking for less obscure gems for your students to tackle. The reality is, our students struggle to practice the things we give them, let alone the hundreds and thousands of obscure pieces that this book so painstakingly lists.But let’s assume I really did want to venture out and try some hidden gems. The book is organized in such a way that you have to already know what you are looking for. Repertoire is listed by time period and in alphabetical order of the composer, not by leveling. So, if you are looking for say, a level 2 piece, you’d have to dig around for quite some time, to find random level 2 pieces scattered throughout the book. You wouldn’t be familiar with the piece or composer, then you might search on IMSLP to see if it’s on public domain to ascertain whether it’s truly appropriate. That is a time drain.I don’t understand why the author went through the trouble of creating this anthology, and then not have it be user friendly.I have it on my bookshelf but again, it’s larely unused. The average piano teacher could simply use a classical anthology such as Keith Snell’s essential repertoire. And it takes the guess work out of leveling.I think this book is useful if you are considering specific pieces, and want to see what is written as far as pedagogical “watch out for octaves; not best for small hands” type of feedback. Even then I found descriptions to be descriptive yet vague enough that I still need to do further research. For example, I was interested in assigning a student Heller etudes. The ones listed aren’t necessarily the best ones in my opinion, and that’s just one example.

This guide does a wonderful job of covering both the teaching and performance literatures for the beginning to early advanced piano student. It covers Baroque, Classical, Romantic and 20th century periods. The 20th century section is especially thorough, taking up over half of the book. Pieces are described concisely, with technical and musical challenges of individual pieces briefly but insightfully pointed out. The grading system of 1-10 seems to be well thought out and consistently applied. To give a feel for the coverage, the most difficult works, given a grade of 10, include many of Bach's 3-part inventions, the Beethoven Op. 49 1,2 piano sonatas, the Mozart Op. 331 sonata (w/ the Alla turca finale), the Chopin 'Military' polonaise, and Debussy's 'Clair de lune.' Virtuoso works such as the more difficult Beethoven sonatas or the Chopin etudes are not covered. (For excellent coverage of more advanced literature see Hinson's 'Guide to the Pianist's Repertoire', in the new 4th Ed.) A feature that I like is that detailed coverage of teaching pieces is given. E.g., some order is brought to the dizzying array of Czerny's many teaching opuses, and many Burgmuller etudes are described and graded individually. Hopefully this fine work will be updated, as the only real drawback seems to be that important but more recent composers like Robert Vandall are not covered. Highly recommended.

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Ebook Free The Norton Anthology of American Literature (Ninth Edition) (Vol. Package 1: Volumes A and B)

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The Norton Anthology of American Literature (Ninth Edition) (Vol. Package 1: Volumes A and B)

The Norton Anthology of American Literature (Ninth Edition) (Vol. Package 1: Volumes A and B)


The Norton Anthology of American Literature (Ninth Edition) (Vol. Package 1: Volumes A and B)


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The Norton Anthology of American Literature (Ninth Edition) (Vol. Package 1: Volumes A and B)

About the Author

Robert S. Levine (Ph.D. Stanford) is Distinguished University Professor of English and Distinguished Scholar-Teacher at the University of Maryland, College Park. He is the author of Conspiracy and Romance: Studies in Brockden Brown, Cooper, Hawthorne, and Melville; Martin Delany, Frederick Douglass, and the Politics of Representative Identity; and Dislocating Race and Nation: Episodes in Nineteenth-Century American Literary Nationalism. He has edited a number of books, including The Cambridge Companion to Herman Melville; Martin R. Delany: A Documentary Reader; Hemispheric American Studies; and a Norton Critical Edition of Hawthorne’s The House of the Seven Gables.Michael A. Elliott (Editor, 1865–1914) Ph.D. Columbia, is Professor of English and American Studies at Emory University. He is the author of The Culture Concept: Writing and Difference in the Age of Realism and Custerology: The Enduring Legacy of the Indian Wars and George Armstrong Custer. He is also the co-editor of two additional books: The American Novel, 1865-1940 (Volume 6 of the Oxford History of the Novel in English) and American Literary Studies: A Methodological Reader.Sandra M. Gustafson (Editor, Beginnings to 1820), Ph.D. University of California at Berkeley, is Professor of English and American Studies at the University of Notre Dame. She is the author of Imagining Deliberative Democracy in the Early American Republic and Eloquence Is Power: Oratory and Performance in Early America and co-editor of Cultural Narratives: Textuality and Performance in American Culture before 1900. Since 2008 she has edited the MLA-affiliated journal Early American Literature. She is a faculty affiliate of Notre Dame's Center for Civil and Human Rights and a faculty fellow at the Kroc Institute for International Peace Studies.Amy Hungerford (Editor, Literature Since 1945), Ph.D. Johns Hopkins, is Professor of English and American Studies and Director of the Division of the Humanities at Yale University. She is a scholar of twentieth-and twenty-first-century American literature and the author of The Holocaust of Texts: Genocide, Literature, and Personification; Postmodern Belief: American Literature and Religion Since 1960; and, most recently, Making Literature Now. She is a founder of the Post45 collective and site editor of the group's open access journal on post-1945 American literature and culture (post45.org).Mary Loeffelholz (Ph.D. Yale) is Professor of English and Vice Provost for Academic Affairs at Northeastern University. She is the author of Dickinson and the Boundaries of Feminist Theory; Experimental Lives: Women and Literature, 1900–1945; and, most recently, From School to Salon: Reading Nineteenth-Century American Women’s Poetry. With Martha Nell Smith, she edited the Blackwell Companion to Emily Dickinson. Her essays have appeared in such journals as American Literary History, English Literary History, the Yale Journal of Criticism, and Modern Language Quarterly.

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Product details

Series: Norton Anthology of American Literature

Paperback

Publisher: W. W. Norton & Company; Ninth edition (December 9, 2016)

Language: English

ISBN-10: 0393264548

ISBN-13: 978-0393264548

Product Dimensions:

6 x 3 x 9.3 inches

Shipping Weight: 5.1 pounds (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

241 customer reviews

Amazon Best Sellers Rank:

#39,071 in Books (See Top 100 in Books)

These books are the bane of my existence. I am an avid reader and I absolutely hated cracking these open. The literature is, of course, great, however, the print is SO tiny and crammed onto the page that it sucks all of the enjoyment out of reading. This set is an overpriced visual torture device and I pity anyone whose English professor requires this as a text. My American lit professor was one such sadistic educator. I can't believe I paid $70 to hate something. As a tip, all of the writings in these books are readily available on the internet, where they are much easier to read.

I need this anthology for an upcoming lit class, but I was a little filled with trepidation to buy it when I read a review saying how very small the font type is and how hard it is to read. I wasn't sure my 40 year old eyes would be up to the task. But when I cracked the book open, it was just a normal book with acceptable sized typeface. I'm not sure why another reviewer was whining about how small the type is, but it's totally fine. I bought my copy used but fulfilled by Amazon and it's fine. It's a very heavy paperback and I wish I could have found it in ebook format. I'm glad I am a fully online student and I don't have to haul this thing around in my backpack, that's for sure.

DO NOT GET! I only received volume B of this text and was told there was nothing they could do.

This book is a great collection of American literature writings. I have enjoyed this book so much because it has given me an insight to what being American is all about. For example, it contains Hector Crevecoeur's, "Letters from an American Farmer" In it you will find his description of, "What is an American". This and many more other important writings make this book very valuable. I highly recommend it.

Required book for a college course that is now requiring a new book to be purchased with a one-time-use access code. It seems that publishers are finding new ways to avoid sustainability and circumvent the used book market by making colleges assign these new book bundles. I am glad that some professors allow students to choose whether or not they want to buy the bundle, which includes some extras including study guides, or opt out and buy/rent the used books and save money. At NVCC in Manassas, every class this semester "required" the access code bundles at $150-278 a book. Multiply that by 6 classes and you get a cost-prohibitive situation for most students. I was glad that find this book as an inexpensive rental, and I'll go the extra mile and scour the book for my answers and make my own study guide. If it costs me a half a grade or more, it may be worth it to be able to afford college.

The book was basically falling apart when it came in the mail. It literally looked like someone chewed it up and spat it back out. However, because it was cheap and I needed it for school I continued to rent it. it anyway. As the semester went on the pages of the book started to detach from the spine of the book! If anyone wants to rent this book, just be sure to rent it like new.

This is a large anthology with a lot of material. The beginning chapters/stories are hard to get through because of the colonial language and material, but it gets better as the book goes along.

Required for college English class. Thin pages, but what do you expect when you have so much information in such a small book. Earlier books (1970s-1980s) were hardback and a lot heavier. This one beats that out. From what I understand on Pearson's website, an e-book is in the works. That would be so great for students who could load it on a tablet or computer and not carry multiple books to class.

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The Norton Anthology of American Literature (Ninth Edition) (Vol. Package 1: Volumes A and B) PDF

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Herb Gardening: Beginner's Guide to Growing Organic Herbs at Home


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Audible Audiobook

Listening Length: 53 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Joanna Winters

Audible.com Release Date: July 14, 2016

Language: English, English

ASIN: B01IDOB242

Amazon Best Sellers Rank:

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Shibori Designs & Techniques, by Mandy Southan


Shibori Designs & Techniques, by Mandy Southan


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Shibori Designs & Techniques, by Mandy Southan

Review

"Another stunning book from Search Press!"  —Guild of Silk Painters"A superb techniques book that fully explores the wonderful art of shibori."  —karenplatt.co.uk"A great book for those who love bold and exotic fabrics."  —Sewing World"Step-by-step color photography and instructions demonstrate how to use acid dyes and cold water reactive dyes and various techniques."  —Sew Today

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About the Author

Mandy Southan trained at Ravensbourne College Of Art And Design and has a BA Hons. in Fashion/Textile design. She is president of the Guild of Silk Painters and a member of The Sussex Guild. She has painted on silk for many years and is particularly interested in traditional Japanese resist techniques. She experiments continually to find new ways of using old methods and her work on silk often combines different resist processes. Mandy teaches silk painting, rozome (Japanese wax resist) and Shibori at West Dean College and at her home studio in Hastings. You can see Mandys work on her website: www.mandysouthan.co.uk

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Product details

Paperback: 96 pages

Publisher: Search Press (December 10, 2008)

Language: English

ISBN-10: 1844482693

ISBN-13: 978-1844482696

Product Dimensions:

8.1 x 0.3 x 10.2 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

73 customer reviews

Amazon Best Sellers Rank:

#184,863 in Books (See Top 100 in Books)

This book really wasn't what I was looking for at all. There is a lot of instruction on different dying techniques, but very little on cloth manipulation to achieve specific shibori effects.

I'm coming from the point of someone who knows a bit about shibori, has some experience dyeing on various fibers using various techniques. I have a degree in textile design so I probably know a bit more than your average joe.This is a decent overview of shibori. It covers various types, and does a brief section on each technique and shows pictures of the various steps. The photographs are well done and the instructions are clear.The author covers both acid dyes (silk- protein fibers) and fiber reactive dyes (cotton, cellulosic fibers) but sort of jumps around alternating techniques in silk and cotton. The author never goes into detail about the dyes just sort of gives this weird general information..so she might talk about illuminating dyes but only for silk...which leaves you wondering if there is an equivalent for cotton. She really focuses on the resists-- so if you have never dyed fabric before this book will not give you much technical information by way of ratios and recipes, but you can easily find those things online.The author/publishers were trying to hit all the marks for the average hobbyist but it just sort of grazes them instead. I learned a few things I did not know such as capping with cellophane (can't find the book right now i'm going from memory) but I honestly wish I had just spent the extra money to get the more serious books. I certainly didn't get any real tips on what might go wrong in a project-- you would have no idea what happened if you did stitched shibori and lost your design-- which happens! Qualities of dye and cloth, working with thickened dye are all things that would have been great if she had gone in to just a LITTLE bit of detail about. So I can't really recommend the book if you are looking for serious technical information.

Just hosted an indigo dye party (Sip & Dip) with a few friends. This book was passed around several times for new dying techniques. Using the wood squares and popsicle sticks from the indigo kit created new designs. Next year, we will have pvc pipe for even more wonderful Shibori creations!

I was trying to figure out if learning Shibori was something that would interest me. In reading this book, I loved how the basics of a handful of Shibori techniques were taught in a wonderfully simple manner with stunning results.Would I buy it again, if I had a redo? I think so! It has definitely simplified learning some of the techniques of Shibori, and peaked my interest in learning some more, without overwhelming me with lots of pictures without instructions like another Shibori book I ordered at the same time.

Very useful and inspiring contents. It widened my knowledge of resist dyeing, and I enjoyed experimenting with techniques.

Good pics and instructions. This along with Shibori and Surface Design Workbook can launch you into a wonderful experience. I'm a beginner and I'm very glad that I have this resource.

I was first drawn to Shibori from a book that jumped off the shelf at me in an art supply store a few years ago. I didn't know how I could actually learn to do them and circumstances were such that I didn't follow up on beginning, but deep down I knew I would eventually begin working with these techniques. This book has offered that opening - pictures aplenty with instructions under each. I'm visually oriented, and this helped alot! Her directions are primarily for the beginner, and have me wanting to advance. I'm glad I bought the book.

Very basic book. but has useful information with big, colorful pictures. Most of the information can be found on the internet but it is handy to have it one place.

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Download PDF The Curator's Handbook, by Adrian George

Download PDF The Curator's Handbook, by Adrian George

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The Curator's Handbook, by Adrian George

The Curator's Handbook, by Adrian George


The Curator's Handbook, by Adrian George


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The Curator's Handbook, by Adrian George

Review

“Informative . . . Readers are taken through the curation process with precise writing and a formidable wealth of experience. Any student or novice curator will find this a vital part of their curriculum; it is a resource that should be on the shelf of any curator working in a museum in the 21st century.” - Library Journal“Informative. . . . Readers are taken through the curation process with precise writing and a formidable wealth of experience behind each inquiry and instruction. Frequent observations by the contributing museum directors add a personal touch and offer beneficial perspectives about the job. Any student or novice curator will find this a part of their curriculum; it is a resource that should be on the shelf of any curator working in a museum in the 21st century. A much-needed manual for contemporary practitioners of the fine art of curatorship, written with an eye to the everyday applications necessary for the evolution of an exhibition.” - Library Journal

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About the Author

Adrian George is Deputy Director and Senior Curator at the UK Government Art Collection in London. He previously held curatorial posts at Tate Liverpool; Tate Modern, London; and the New Museum of Contemporary Art, New York.

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Product details

Hardcover: 320 pages

Publisher: Thames & Hudson; 1 edition (August 11, 2015)

Language: English

ISBN-10: 0500239282

ISBN-13: 978-0500239285

Product Dimensions:

5.9 x 1.1 x 8.6 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#278,328 in Books (See Top 100 in Books)

Thanks Adrian ! This is a succinct compendium of tasks required in curating exhibits for public view. I have drawn out data on organizing, shipping, insuring, lighting and promotion of the work- for starters. It's a great reference, well highlighted and researched.

A great little guide to curating. a good little handbook to keep

Excellent read about curatoral work

This book is very detailed in many aspects, and it has been very helpful for I began this journey with very little knowledge of what a curator was responsible for - other than arranging artwork for an exhibition.

Great read if you're pursuing career in curating

Considering the length of the content I think the price should be lower.

Fast shipping, great product!

If you are curious about curating, this book will give you an in-depth look at practical considerations. Aside from the good information, the book is a visual treat -- thoughtfully laid out in colors that appeal to visual folks and help with learning.

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Get Free Ebook Getting MEAN with Mongo, Express, Angular, and Node

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Getting MEAN with Mongo, Express, Angular, and Node

Getting MEAN with Mongo, Express, Angular, and Node


Getting MEAN with Mongo, Express, Angular, and Node


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Getting MEAN with Mongo, Express, Angular, and Node

About the Author

Simon Holmes has been a full-stack developer since the late 1990s and runs Full Stack Training Ltd.

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Product details

Paperback: 440 pages

Publisher: Manning Publications; 1 edition (November 26, 2015)

Language: English

ISBN-10: 1617292036

ISBN-13: 978-1617292033

Product Dimensions:

7.3 x 0.8 x 9.2 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

34 customer reviews

Amazon Best Sellers Rank:

#363,430 in Books (See Top 100 in Books)

I'm on chapter 10(out of 11 chapters) so I've worked on most of the book.The book starts out great and has a very intuitive architecture for the projects. As progress further into the book, however, more things begin to not work either because the book uses an older version of a module(which I understand the author can't control after the book is released) or because the instructions in the book are just wrong or things are left out. As you get into the later chapters, there's a lot of debugging you need to do because of these mistakes. Thankfully the book has a git repo that you can clone and check the code with for every chapter.Overall, this is a great book on learning Node but the mistakes that appear later were time consuming and annoying to fix. Hopefully the author will be releasing a second edition where these things will be fixed.

I am just loving this book. I have gone from zero to a full-stack developer in a matter of week with this book.The layered approach introducing all these new (to me) technologies is just amazing. Simon introduces new concepts layer by layer and in doing so, enabled me to understand each and empower me to use them and learn more.At the time of writing this review, the 2nd edition of this book is ready to go out. A lot of the technologies have evolved since the 1st edition was published which in a way was a help with my learning - I had to investigate many issues that were evident due to changing times and that forced me into deeper understanding of what my guide was showing me.I followed Simon's loc8r app about half way through the book and then decided to start over with my own app, using the book as my guide. I went right through to the end.Brilliant - the best technical book I have ever read.

EDIT (10/16):After finishing a node project, I've lowered my review from 4 to 3 stars. While this book is a well written introduction to Node and Express (though it inexplicably omits Swagger when the subject turns to APIs), it struggles when the subject changes to Mongo, Mongoose, and Angular. It's still a readable book, but don't expect to come away with an understanding of APIs, Mongo, Mongoose, or Angular (which in 2016, feels like dated framework). Ironically, the book's awkward approach to Angular did a good illuminating why you might want to look for a different client-side framework..~~~~~~~~~~~~~~~~~~~~~This is a very good intro to MEAN development. The book has a good project that it's based around, it develops all the themes you'll need and most important, it's very readable, easy to scan, and the examples are straightforward, easy to read and implement immediately. I would recommend this book to anybody like myself who needs to get up to speed with MEAN quickly, without a prior, deep background in Javascript.

Maybe the best coding book I've ever read. The author resists the temptation that many authors fall into which is to get too clever in their examples, trying to make two or three points at a time and unwittingly obscuring the essence of what's being taught. Holmes is extremely systematic in his approach, focusing on one and only one point at a time, allowing it to sink in before moving on to the next. His coding style is also very well organized, with emphasis on best practices. In retrospect, the other books and tutorials I read on MEAN stack were less than helpful. It won't surprise you that I highly recommend it. Also check out Holmes's online Appendix D about javascript coding practices, particularly the section on callbacks.

Just an awesome first book to learn the MEAN stack. I'm not super proficient with javascript, but I was able to understand and digest all concepts and code presented. The code works. The book is methodical. The author does a great job with explaining and guiding the reader. There is rarely any ambiguity. A must read.

Nice book. Describes the fundamentals of each component of the MEAN stack quite thoroughly. Would recommend to those looking for a foundation to build on.

Seriously, what a great book!!!! Covers so much and you can build a little something in the process. What I like the most is somehow the author found a way to make a topic that can be dry while reading, actually easy to read. I found everything easy to follow and a even a bit of humor thrown in.

Awesome book! I had a working knowledge of the stack pieces individually, and had even made a couple sites using the MEAN stack, but had questioned my design and run into problems with larger projects. This book was the perfect next step for tying it all together and learning proper design when using this stack. It's also very up to date for (mostly) proper use of (almost) component based angular -- which will be a compatible way of thinking about design when using Angular 2.

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